ABOUT

Self-promotion isn't my comfort zone; I've always believed that one's work should speak for itself, but I consider myself an adept cinematographer and director who is constantly evolving and learning. Embracing creative transformation is important to me.

 

My foundation in filmmaking was built at Banyan Ltd., a pioneering production company focused on preserving Caribbean culture. At Banyan, I had the privilege of working on projects with cultural giants, writers, calypsonians, soca artists, painters, and designers. It was here that I first understood the importance of preserving our heritage on film—a lesson that has shaped my career ever since.

 

I’m excited about the next chapter of my career, in which I want to continue focusing on doing documentary work that makes a difference and projects that highlight the rich, vibrant culture of the Caribbean. 

 

A couple of examples: 

 

— The staycation series “This Is Home" (Carnival) examines the roots of traditional Trinidad and Tobago Carnival characters, presenting the costumes in unexpected ways.

 

— “We Going Pan”, a short I directed in 2023, tells the story of attending the world’s most prestigious steelpan competition, Trinidad and Tobago Carnival’s “Panorama”, and artistically chronicles the experience surrounding the event.  

 

I’m currently working on a docuseries that highlights the achievements of famous calypsonians and soca artists, the first installment of which was “King David”, which focused on the music of Trinbagonian “lyricsonian” David Rudder. My aim is to broaden the series even further to include some of the most iconic musicians of the region. 

 

Part of the joy of a creative life is coming up with fresh ideas and developing new projects (while making sure to fit in some time to go surfing).